Women In Film: Meet Khosi ‘Miss K’ Dali, producer and founder of Miss K Productions

Each time a woman breaks the mould, she invites others to do the same. Storytelling has long been a catalyst for change, sharing women’s experiences through film, music and literature. We celebrate Khosi Dali who have made an indelible mark on the South African film industry, telling stories that speak to women’s hearts and the human condition.

What sparked your interest in film?

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My journey into filmmaking began with a deep fascination for family dynamics and the way stories can shape perspectives. I love observing people, listening to their stories, and uncovering the hidden layers of everyday life. Filmmaking allows me to bring these moments to life, influence audiences emotionally, and hopefully leave a lasting impact. Every project is a chance to explore new ideas and connect with others on a deeper level.

Tell us about your latest, The Wait.

What began as a simple premise of a man waiting in line in a police station evolved into a nuanced allegory of the complexities in bureaucratic systems and the human struggles embedded within. We focused on ensuring that Mzu’s journey would feel authentic and relatable. We carefully scouted the right location – a police station that could feel both stifling and realistic. We prioritised casting actors who could bring depth to their roles. But the film presented its own challenges. We shot the film over three days, just before travelling to Los Angeles for a residency, and the energy and excitement of the upcoming trip fuelled our creative process. Ultimately, it became more than just a short film; it was a reflection of the tension and hope that coexist in our society. It’s been incredibly rewarding to see audiences engage with its message.

It gained international attention. What was that like?

The Wait had its premiere at the Red Sea Film Festival last year, which was an incredible honour. It’s been showcased at several international film festivals since, including Verona Film Festival in Italy, Washington DC, New York African Film Festival and other festivals where it resonated with audiences from diverse backgrounds. The process was both exciting and nerve-wracking, but deeply rewarding for our entire team. And winning Best South African Short Film at the Durban International Film Festival this year was a special milestone.

How can we amplify women’s voices and stories better on screen?

Women face unique challenges, from gender inequality to balancing career and family, and represent a range of backgrounds. Addressing these thoughtfully can create stories that resonate deeply, while also raising awareness of broader societal issues. We also need to move beyond stereotypes and clichés by portraying women in varied roles, from leaders, innovators, and risk-takers to mothers, artists, and dreamers. I want to portray females who are empowered and with agency, and also celebrate everyday stories. I want to show characters that make their own decisions, assert their voices and pursue their goals. With the ordinary stories, I want to showcase women’s everyday experiences, dreams and challenges, that can be deeply moving. Importantly, more females must be involved in the creative and decision-making process; female writers, directors and producers who understand these experiences fi rst hand.

Do you have new developing projects we can look forward to in 2025?

I’m currently working on two short films and have a slate of feature films at various stages of development. A recurring theme is an exploration of family dynamics, identity, love, and resilience. One of these features is Eziko, a deeply personal and profoundly significant story. It delves into themes of the resilience of women confronting cultural traditions, following a young academic’s journey to the Eastern Cape in search of her long-lost sister. Another feature in development is Vlees, the story of a family grappling with the aftermath of a 1994 car accident that claimed their daughter’s life and left the mother quadriplegic. Supported by the NFVF, M-Net, and the Dutch Film Fund, this poignant film is set to shoot in Pretoria in 2025. I have two more features in development, and am about to release The Heart Is A Muscle, filmed on the Cape Flats. It’s already been invited to have its world premiere at one of the biggest international film festivals.

What’s the future of film in SA?

Incredibly promising. South Africa has a wealth of untold stories, rooted in our diverse cultures, histories, and contemporary realities. There is a growing hunger for authentic, locally inspired narratives that resonate not just with South Africans but with global audiences. With the rise of streaming services like Netflix, Showmax, and Amazon Prime investing in African content, there are more opportunities than ever. There’s a new wave of young, dynamic filmmakers, and collaboration is also increasing. Challenges remain, but present opportunities for innovation, to bridge the local and the global with authenticity. It’s an exciting time to be a filmmaker here!

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